The Los Angeles Book Review, November 28, 2016
FOR SOME, he was one of the most subversive thinkers of his time — a 20th-century Nietzsche, only darker and with a better sense of humor. Many, especially in his youth, thought him to be a dangerous lunatic. According to others, however, he was just a charmingly irresponsible young man, who posed no dangers to others — only to himself perhaps. When his book on mysticism went to the printers, the typesetter — a good, God-fearing man — realizing how blasphemous its contents were, refused to touch it; the publisher washed his hands of the matter and the author had to publish the blasphemy elsewhere, at his own expense. Who was this man?
Emil Cioran (1911–1995) was a Romanian-born French philosopher and author of some two dozen books of savage, unsettling beauty. He is an essayist in the best French tradition, and even though French was not his native tongue, many think him among the finest writers in that language. His writing style is whimsical, unsystematic, fragmentary; he is celebrated as one of the great masters of aphorism. But the “fragment” was for Cioran more than a writing style: it was a vocation and a way of life; he called himself “un homme de fragment.” [+]